Spiritual Travel

To Be Caught

I had the overwhelming pull to get out on the land. To place my feet solidly and walk. To be conscious of placing each footstep. I did…for some miles. I found it imperative. That – even though I was exhausted, arriving home just the night before from a very long journey. Writing now, a few days later, I recognize – by surrendering to that draw – I began my integration process, and I hold a new awareness.

I was summoned by the wild land where I live – not some random thought of my mind. Having learned what I’d learned in the land over the ocean, Re-entry required this physical act. It’s about engagement, like introducing a new friend to an old one who needed no explanation when both had claimed me. Neither were jealous, and I’d allowed myself to be caught. Somehow this recognition has further solidified my grounding. The giving over. Surrendering. Whatever you want to call it, know that it had nothing to do with the mind and everything to do with the heart.

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We sat in circle, having settled into this spacious, high-ceilinged room in a 16th century building, now a small family-run hotel in Arles. I began to lay some initial groundwork for entry into our journey in Provence. I talked to the women about the land. There are certain places in the world that hold a form of magic. Hard to articulate, it comes out through its attraction and what it produces. Provence is one of those places. To feel such depth, it must be welcomed through pure immersion. As that happens, it touches aspects of ourselves we didn’t know existed. Then we can begin to understand the beauty the Provençal land produces, attraction to artists, other makers…and the currents that brought Mary Magdalene, Mary Jacobi, Mary Solomé and Sarah – also known as Sara-la-Kali, adopted by the Romani people as their patron saint – to land on its shores.* We can also begin to sense its effect on us.

I acknowledged the controversy surrounding Mary Magdalene’s role, who Sarah may have been and the question of whether they and the other Marys had been there at all. I invited the women to sweep it all away – all that chattering distraction – and just be present to what their own experiences tell them.

The next day we drove to the small Camargue village of Saintes-Maries-de-la-Mer where the Marys and Sarah landed. We were to visit Notre Dame de la Mer. This is the church venerating Sarah, Mary Solomé and Mary Jacobi who chose to live there.  It holds their relics and has an underground crypt especially designated to Sarah. It’s said many healings have taken place through prayers that are left.

This is sacred ground. To enter carelessly doesn’t do it justice. We first went to the shoreline where I invited the women to find their place, connect with the land and put themselves back in time, to the time when the boat rode the waves onto the beach. Some were overcome there. Others as we went through the doorway of the church. Some while leaving their prayers with Sarah. Not one was untouched.

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Saint Sarah’s crypt in Notre Dame de la Mer, Saintes-Maries-de-la-Mer. Photo: Carla Woody.

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Stained glass window above the main altar in the Basilica of Mary Magdalene, St. Maximin. Photo: Carla Woody.

A few days later at the Basilica of Mary Magdalene in the village of St. Maximin, where her relics rest, the pilgrimage continued as did the effect. Before we began the long climb up to Mary’s Grotto on St. Baume, I suggested we pause again to put ourselves through time, ultimately to the time Mary would have climbed this mountain herself. There would have been little path, if any, the forest completely wild, full of feral life we no longer see there. I walked slowly, noticing the stillness of the woods save periodic songbirds and the conversation of others climbing ahead.

I found Mary’s Grotto as I had in my other times there. I wiped away the chapel and altars that had been placed for worship. Instead, listening to the sounds of dripping water, feeling the damp and sensing her presence. Being still.

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Saint Mary Magdalene’s Grotto at St. Baume. Photo: Carla Woody.

Taking a different trail down, it was rocky, more steep, sometimes slippery from previous rains. Much like life. I paid attention to where I placed my feet. Somehow, I felt the place impressing itself upon me. Or maybe it was an exchange.

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Within the safe haven of circles, I invite travelers to share their personal experiences: insights, questions, struggles, if they wish. Not for others to resolve or analyze but to witness. Witnessing is a sacred role we fulfill for each other. It brings things to earth rather than flying around in the ether. In this way, each one’s process is acknowledged as significant and supports an evolutionary unfolding.

When we close our circle at the end, I speak to them on the elements of Re-entry, a phase of the journey that is quite real and continues, sometimes for months or longer. It’s about integration. Something that naturally occurs to bring our learnings to bear upon life at home. Best approached with eyes wide open and embraced, I lead them through a recapitulation of our times together suggesting they pay attention to what comes to the forefront to be carried home. Sometimes words escape us, seeds still germinating. But – always – we feel the presence of something growing.

There were two facets from our immersion in Provence that featured prominently for me this time, at least what I was aware of in the moment. I voiced them. The first was the way the people of Provence spoke about the Marys and Sarah. It was matter of fact. There was no engaging in the controversy flying around elsewhere in academia, religious entities, or popular media. They had existed there, celebrated annually on hallowed ground through festivals and the churches built to them. They are solidly implanted in Provençal cultural memory. The land holds them.

My take-away:

There will always be detractors and distractors. Focus on what you know to be true and hold it in your soul.

The second had to do with the colors in the land and how they’re reflected throughout Provence in the food, art, architecture and geniality of the people. Ochres, blues and greens. They made me happy and something more I can’t yet give words to. I vowed they would find more of a place in my home.

My take-away:

When something touches you deeply, bring it into your home. It’s a visible reminder of what’s become a part of you. We don’t leave things behind. They dwell within the sanctuary of our Core.

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Mt. Sainte-Victoire outside Aix-en-Provence. Photo: Carla Woody.

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Windmill in the village of Goult. Photo: Carla Woody.

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Architecture, Aix-en-Provence. Photo: Carla Woody.

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When we journey in foreign lands, we leave the familiar behind. We enter places that are waiting to be known, many of them for us to re-engage with aspects we’ve forgotten.

Western people don’t belong to the land – unless born into a culture that supports it, or consciously becoming part of it over time. It means being present. To disregard the urge to move on too quickly. It means to linger. It means to return, to know it even more so. To surrender and let go of thoughts that take up space.

Only then can we be caught.

Only then can the secrets that we knew all along be divulged.

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* Mary Solomé was the mother of apostles James the Greater and John. Mary Jacobi was the mother of apostles James the Younger (or Lesser) and Joseph. Sarah is said to be the daughter of Mary Magdalene and Jesus, in other circles the Egyptian servant to one of the Marys. Also know there are stories of others in the boat including Lazarus, Martha and Maximin. I’m writing of those who are acknowledged in the places we went.

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There were so many elements that made up our spiritual travel in Provence. I already know I will be writing more…in appreciation. This is just the first blush.

 

 

 

Categories: Contemplative Life, Global Consciousness, Sacred Reciprocity, Spiritual Evolution, Spiritual Travel | Tags: , , , , | 1 Comment

My Annual Pause: Accessible Mystery in the Périgord Noir

I entered the dark, narrow passageway. The temperature dropped considerably from the heat outside. More than that, I was immediately aware of the overwhelming rush of energy I felt through my body. Was it because I was in very close quarters? I’d been in caves before and hadn’t experienced anything of the like. It seemed to vibrate off the very walls and permeate the air, alerting me to sacred space. Something of significance happened here, was resident here. I felt it.

I was in the Vézère Valley in the Dordogne of southwestern France, this section called the Périgord Noir, a lush area of narrow winding roads through thick forests. It’s home to the medieval town of Sarlat-la-Canéda, where I was staying, hidden spots that touch the soul, and a system of caves full of engravings and paintings going back to 23,000 BCE. The area had been declared a UNESCO World Heritage location, but I’d never heard of it. I was there explicitly due to Beebe Bahrami’s book Café Oc that spoke of its richness and accessible mystery. The Périgord Noir came at the end of my Annual Pause, this time a memorable, month-long sojourn in France that took me through Paris and southward to the tiny town of Durfort in the Tarn for an art retreat then on to Sarlat, finally ending in Toulouse. This is the leg I want most to share, particularly since the energy of the region is still resonating so strongly for me.

Hallowed Caves of the Périgord Noir

You have probably heard of Lascaux and maybe Rouffignac. It’s no longer possible to enter Lascaux. Now there’s a sophisticated reproduction to go through instead. To view Rouffignac, tourists board a little train, probably similar to the miners’ train I straddled as a child visiting the salt mines of Salzburg. That’s not the experience I wanted. I wanted to get the real feel of these caves. I wanted to put my feet where ancient ones had, be able to closely examine the expressions and impressions they’d left.

Les Combarelles and Font-de-Gaume were top on my list, and I’d had little hope of actually going. Access was strictly limited to no more than 8 and 12 people at a time, respectively, and just a few opportunities to enter per day. In research, I’d read about people showing up outside the ticket office from 6 AM or before in high season, holding a place in line — for hours — to buy a ticket to go later in the day. I suppose I might have done that.  But I was without a car, and I could find no small group tour to take me.

There’s a bizarre regulation in the region that works against solo travelers. A tour agency must have at a minimum two people to proceed. Don’t ask me why. Finally, I found a taxi-tour service who, due to the way their business was set up, could slip in between the cracks of that ruling and accommodate me with my personal itinerary. Thankfully, Christoph, the owner, was able to wrangle secured entry for me ahead of time. No waiting. His wife Sarissa, my driver that day, told me Christoph had been born in the area. He was part of a group of about forty locals who, having grown up there, felt so strongly about their homeland they’d banded together to ensure quality tourism.

Les Combarelles sat across a green, well back from the road on the other side of an old stone farmhouse. Sarissa was well satisfied to deliver me into the hands of Pascal, who played a part in the conservation effort she’d mentioned. I completed the group, the rest being French, and Pascal began to lay the groundwork for what we were to see beyond. There were two passages, one open to the public. The cave’s entrance was originally excavated by archaeologist Emile Riviere in 1892. However, it was the owner, Monsieur Berniche, who discovered the rock art in 1902. I put myself in his place at that moment and got chills imagining what it must have been like to stumble upon something unexpected…and so obviously old.

Before we entered, everyone had to store anything they were carrying. Nothing could bump the cave walls. Such was their fragility. We were warned not to brush the walls in passing and to watch our heads. The cave floor had been lowered about a foot to provide a bit more access. But still it was close quarters. I had to be alert. The electric light was quite subdued, barely enough to light the way. Somehow the place played with my sensibilities. I wanted to crouch and duck walk, which is what the artists must have done or crawled on hands and knees in places. The engraved images number 600 or more of those thus far discovered, thought to be from 12,000-10,000 BCE, carved at different times.

It wasn’t long before we came across the initial art. It wasn’t merely an image here and there. It was a very long stretch, like herds of animals drawn one over the other or intersecting as though jostling for their place. The cave was active.

I couldn’t begin to imagine how M. Berniche could have known what he was looking at except undecipherable scratches and scrawling. When Pascal waved a hand light over an area, that’s all I saw. It wasn’t until he used his laser light to outline individual animals that my eyes adjusted…and I was amazed. I had expected very simplistic engravings. Most were surprisingly detailed and accurate to life, or a sweeping line suggesting movement. To me, that requires a sophisticated eye.

I anticipated seeing mammoths, bison and reindeer, but not a tiger, horses, bears and rhinos. There were also a few male and female figures. Curiously, the female figures were never anatomically complete. The head or arms were omitted, even breasts. But not grand derrieres, which were always depicted. I have a theory. These omissions were an act of reverence in that, as in some traditions or religions, something so venerated must not be named. The incomplete female images or symbols like vulvas, which also appeared, were ways to allude to the Sacred Feminine, a laying down of prayers for fertility.

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Horse. Courtesy Don’s Maps. Photo: Heinrich Wendel (© The Wendel Collection, Neanderthal Museum).

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Courtesy Don’s Maps. Drawings by Capitan and Breuil, 1902.

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Tiger. Courtesy Don’s Maps. Photo: Heinrich Wendel (© The Wendel Collection, Neanderthal Museum).

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Courtesy Don’s Maps. Drawings by Capitan and Breuil, 1902.

We continued on until our way was blocked. Finally, it wasn’t possible to go farther unless a squeeze beyond on all fours. I was overwhelmed. Really, it was a lot to take in. These were not sterile renderings. I sensed a place of reverence. I could have stayed for a very long time.

We turned to pick our way back in the barely lit passage. I was glad I was second in line, having a time finding my feet. Especially so when the lead disturbed a large bat. It flew up in front of her, like some horror film. We had to duck and swerve.

I could have ended with Les Combarelles. There was so much to digest, and Pascal truly set the stage and helped bring the site to life. But Font-de-Gaume was barely 5 minutes down the road, and I had a ticket.

Apparently, the Périgord Noir experienced a run of discoveries in the early 1900s. While the Grotte Font-de-Gaume was generally known for some time, the local schoolmaster, M. Peyrony, put significance to the rock art after he’d visited Les Combarelles with an archaeologist. These are the most intact examples of polychrome painting, dating back to 16,000 BCE. About 250 paintings are known at this point, but there may be many more covered up by calcite and iron deposits. As an example, scientists were cleaning the cave walls and uncovered a frieze of five bison, the most preserved due to the deposits. There are about 30 paintings the public is able to view, mostly bison. The artists had many times taken advantage of the natural lines and bulges of the cave walls, so that the figures were brought to life in bas relief.

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Bison. Courtesy Don’s Maps. Photo: Heinrich Wendel (© The Wendel Collection, Neanderthal Museum).

Again, I felt the overwhelming energy throughout the time I was in Font-de-Gaume. There’s no mistaking this, too, was hallowed ground. It couldn’t have been more clear than when the young guide stopped talking and allowed silence to prevail.

Then I touched that other realm that was timeless. I wanted to stay.

An Apparition at Redon-Espic

Jeanne Grave was a simple, 14 year-old shepherdess tending her sheep in deep forest at a winding creek blessed with a spring, a stone hut on the banks for shelter. The story goes that in June 1814 the Virgin Mary appeared and spoke to her in Occitan, Jeanne’s native tongue, and gave a message for her to carry.  Jeanne told her parents that “the pretty lady” said everyone must pray and perform penance, to return to the Church, or they would soon die. This during a time of great taxation, famine and pestilence, probably cholera, when many had fallen away from the Catholic Church.

Jeanne immediately carried the Virgin’s message and beseeched her parents, but was ignored. She knocked at the doors in the small village where she lived repeating the Virgin’s words over and over. She was ridiculed. She herself made the return, regularly performing the rosary and receiving communion. Again in July, the Virgin appeared at the spring repeating the message. Her family and villagers continued to treat her with disdain. In October 1814, Jeanne’s parents died. Jeanne followed a month later. Pestilence took many of the people in the community of Castels fulfilling the Virgin’s prediction, the interpretation being punishment was meted out for lack of faith.

During Jeanne’s burial procession a violent storm broke out, but Jeanne’s coffin, its bearers and the candles lighting the way were completely protected, remaining dry. Local people were so taken with this event, they began to gather in the wild place where Jeanne had experienced the apparition. In 1818, with no formal canonical investigation, the Bishopric of Périgueux sanctioned gatherings at a small, isolated Romanesque church, once a convent, named Redon-Espic close to the shepherd’s keep where it all happened. For more than 20 years to present day on the Sunday closest to September 8, the Virgin Mary’s Feast Day, locals gather at night in deep forest and make a candlelit pilgrimage to the church and on to the shepherd’s keep, which has become a shrine. Prayers are given and offerings made on the stone altar on a rise several yards from the site.

Sarissa was surprised when I told her I’d like to visit Redon-Espic. She said it wasn’t really known to outsiders. She knew how to get there because she rode her horse through that forest. As isolated as this place is now, I can only imagine it more so back in the early 19th century. We drove on dirt roads first arriving at the church.

No one was there, and the doors were unlocked. It had recently received a new roof, curiously made with flat rocks. I remarked on it. It turns out that’s the old traditional way, and the renovators held to it. Sarissa told me to also notice how thick the walls were, made that way to protect from marauders who would attempt to destroy it.

It was quite plain inside. Then I noticed a statue, precariously perched on a stand, in a corner near the altar. It was a depiction of Jeanne and her apparition. The Virgin’s head was missing, probably damaged and not intentional. There were two things about it that got my attention. When I walked around the statue, Jeanne’s gaze was slightly off. It slid by the Virgin like she was looking at something just beyond. The other thing had to do with the Virgin’s lack of hands showing. Maybe they were supposed to be draped inside the sleeves. But these looked fairly flat as though empty. I’m not well versed on typical representations, just what I’ve otherwise seen, and could not find any mention of these two things, which were peculiarities to me.

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Statue of Jeanne Grave and the apparition of the Virgin Mary in Notre Dame de Redon-Espic. Photo: Carla Woody.

I sat in a pew to be present to what was there while Sarissa waited for me outside. Our journey continued down a one-lane dirt road. We reached the site of Jeanne’s vision a few minutes later. I was quite taken with the shepherd’s keep transformed into a shrine. In so many ways it reminded me of St. Brigid’s Holy Well in Liscannor, Ireland where I had a powerful experience. While Jeanne’s place didn’t have as many prayers lodged between the stones in the walls, they were there. So were the spring, icons and candles.  Up the small rise on the altar was evidence of past rituals. Again, this was clearly sanctified space. Its use continued to present day. After a while, we could hear a car coming. We left just as the man parked, to give the newcomer privacy. He got out of his vehicle holding flowers.

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Shrine at Redon-Espic. Photo: Carla Woody.

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Inside Jeanne Grave’s shrine. Photo: Carla Woody.

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Prayers left in the shrine. Photo: Carla Woody.

There are places in the world where the land holds something and waits to reveal itself. In truth, it doesn’t take much to recognize the invitation. It does take a willingness to accept the invitation though, to open to what may not be right in front of your face … then linger.

Categories: Gratitude, Spiritual Travel, Travel Experiences | Tags: , , , , , , | 5 Comments

When Art Preserves a Legacy

Written in collaboration with Tat Apab’yan Tew.

In February, I traveled to southern Guatemala with Maya Daykeeper Apab’yan Tew to put the final touches on the spiritual travel program we would lead in that region and Chiapas, Mexico in January 2019. When we stopped at Lake Atitlan for several days, I made sure to revisit La Galeria in Panajachel. I retained fond memories from twelve years before when my friend Will Crim and I stumbled upon the place while wandering the streets of Pana.

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Vintage. ©2006 Carla Woody.

We were first attracted by the vintage Mercedes planted in the garden, and then became enchanted after entering the gallery. While making our way around the exhibition, a spare man engaged us about the artwork and offered us an expresso. We took him up on his offer and got to hear Thomas Schäfer Cuz’ stories about his mother, German-Guatemalan bohemian artist Nan Cuz, for hours. We were even invited into the inner sanctum to view his grandfather’s collection of Maya folk art. I was fascinated. This time was much the same, but we also met Sabine Völcker, Thomas’ wife, who was equally as hospitable.

This article could go in any number of directions. For now I’m going to focus on the artwork and background of Rosa Elena Curruchich ⎯ and why such works are important. In the main gallery, there was a grouping of Naïve art that caught my eye. At first glance, these miniature paintings looked simple. But beyond their style became complex, quite detailed, and there was a narrative to each one. Only that grouping was up for display at that point.

We returned a couple of days later, invited by Thomas and Sabine when they would start cataloging the entire collection. They had received boxes upon boxes of the tiny paintings to be sold on behalf of the family of a collector, possibly Anna Paddington, who had recently passed.

Rosa Elena Curruchich was the first female painter in San Juan Comalpa, a highlands town known for its artists. Her grandfather, Kaqchikel painter Andrés Curruchich, started the tradition of oil painting there in the 1930s documenting celebrations, ceremonies and lifeways. Rosa Elena followed in his footsteps. Based on her grandfather’s teachings, the subject matter explains the detail of the pieces. The more you look, the more is revealed.

But most of Rosa Elena’s are just 4”x4” or 6”x6” – none larger. Why so small? Here is the story she told her benefactor, as it was passed on to Sabine and Thomas. She was married to a prominent, authoritarian husband who forbade her to paint. So she would sneak off to paint in secrecy and limited the sizes to what she could slip into her pocket to hide. Then she would make trips to the old capitol Antigua Guatemala and try to sell them in the market. After she sold the first one to the collector, this woman became almost her sole buyer.

Another story told by Rosa Elena that I uncovered through research said after she got her first exhibition in Guatemala City, the male painters in San Juan Comalpa were jealous. She received threats and fled to Chimaltenango, about 10 miles away, to live.

The common theme being oppression by men. Sabine had already told me the story about Rosa Elena’s husband may be questionable, told in the hopes of increasing sales. The same is said of the second story. It’s called survival.

The important thing though is what Rosa Elena Curruchich and all those who followed her grandfather have done. Through their artwork, they’re documenting ways of life that are precious, many threatened. I’m a fan of narrative art. In the true sense of artistry, they are preserving what’s important. A meaningful story, an emotion, ordinary things that have a deeper meaning.

It was quite exciting to me to go into the inner sanctum of La Galeria that day Apab’yan and I were invited back. There all laid out on two tables, side by side, were about 60 or more of Rosa Elena’s works. Several boxes were still unpacked, totally about 200 in all.

As Apab’yan examined them, he began sorting the pieces into an order…each ceremony as they fell according to the calendar. It was remarkable, really. Others he separated out having to do with daily activities. I ended up purchasing 3 pieces depicting ceremonies, and wished it could have been all that fell around the calendar. Below you will see them with Apab’yan’s explanations. He told me the ones I chose depict ceremonies that are nearly gone.

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This painting is showing a private celebration inside the cofradia house. In here we can see a woman and man making an offering to the patron saint. There is incense and food offerings as payment. The patron saint image is dressed as a full high-ranking member in the cofradia hierarchy. Inside the house there are the special objects to perform ceremony and celebration: a big drum, incense burners, paintings, old textiles. Cofradia members are holders of ancient ways of Maya spirituality, beyond the image of a western cult. There is always a nawal, or spirit, related to some aspect of nature.

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Once again we are inside the cofradia house. In here we can see the healing of a baby. By burning specified dried herbs and exposing the baby eyes and breath to the incense burner, she or he is going to recover. We call this awas, meaning secret or taboo. It is hidden ancient knowledge preserved by cofradia members. This practice is becoming extinct except in the far away mountains where elders from a direct Maya background continue to keep a huge quantity of spiritual and medicine knowledge.

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This is a celebration. There is fiesta and dance, food is prepared and musicians playing chirimia flute instruments.

Thomas told me directly this was a very important ritual done if a baby reached the age of 8 days. Infant mortality is high. This ceremony reinforced the health of the baby, who you can see laying on top of the mother, and that it would live to be an adult. The next marker was at 3 months, I believe.

This work is Rosa Elena’s legacy. Not only her own but that of her people. She passed too young at 46 in 2005, complications of diabetes.

We will be making another visit to La Galeria in January 2019, and I’m looking forward to it.

 

Categories: cultural interests, Maya, Spiritual Travel, Visual Arts | Tags: , , , | Leave a comment

Revisiting the Wanderings of My Soul

A few weeks ago a friend sent me a note saying she’d begun her morning by watching a video that Kenosis Spirit Keepers* produced from footage of one of my spiritual travel programs in Peru. We went on to have an exchange on how such things touch us and change our lives.

Our brief discussion didn’t leave me. Over these last days a multitude of memories kept popping up, the journeys I’ve taken, people I’ve encountered, that have inspired me onto a different, deeper track. Some of these were undertaken with a clear frame of intent, others happenstance I never could have predicted.

In all of this, a particular time came to mind again and again, probably because its 3-year anniversary is nearly upon me. But I’d already been preparing for several months, intensively as it got closer. By now, I was walking 8-10 miles several times a week. It was a trial to squeeze in the training necessary to walk the Camino Francés, from the French side of the Pyrenees to Santiago de Compostela.  However, it was one of those things that I was so drawn to do and didn’t know why.  A must-do. I knew it would stretch me but so had many, many other things I’d embraced.

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I revisited the writings and photos from The Essential Way, the blog I created to document my pilgrimage on the Camino de Santiago. You’re welcome to read the whole blog if you like.

Here’s one I’d like to share with you here. I wrote I’ll Know I’m Home When 12 days after I completed the Camino. I think I was laying over in Paris on my way home. It’s a snapshot of experience and take-aways.

Somewhere along the way, once I got the rhythm down pat, I began to note somewhat tongue-in-cheek differences between daily life on the Camino and home. But the more I listed the more I realized it’s an intimate glimpse of common pilgrim experiences you normally wouldn’t be aware of unless you’d undertaken the journey. I also began to have insights, reminders and resolutions related to some of them that I’ve included at the end.

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I’ll know I’m home when…

   … I’m no longer looking for markers every few minutes to tell me where to go, except perhaps subliminally.

… I’ll no longer be walking continually for 4-8 hours on a daily basis, with the exception of a brief rest or rest day.

… I’ll no longer hear the continual click-click click-click of walking sticks telling me that a pilgrim is coming along the trail.

As sometimes happens, the more I wrote, the deeper the realizations went. I began to sense, in some ways, what it was like to be homeless.

… I’ll have more than one change of clothing.

… I’ll have more choices to wear on my feet than hiking shoes or flip flops.

… I’ll keep my belongings in a closet or chest of drawers rather than a backpack.

… I’ll no longer do my laundry on a daily basis rather than weekly.

… I’ll no longer be required to vacate my lodging each day by 0800, or be restricted in any movement or slight noises between 2200-0630.

… I’ll know on a consistent basis where I’ll lay my head each night.

There are more of those listings. But then there was this…

My Take-Aways…

It’s important to be alert to the lay of the land to avoid becoming lost or overlooking tell-tale signals that things are off track or hidden. I resolve to sharpen my peripheral and x-ray vision.

Flexibility is a virtue. It’s also important to set your limits and abide by them. I resolve to identify with even more depth and breadth what is true for me.

A simple life in the best sense is a pure one, devoid of clutter in the mind or unnecessary material goods, anything that weighs down the spirit. I resolve to up-level my sorting and pitching process.

Nature is a great gift, healer and stress reliever. I’m fortunate to live where I do. Nature—miles of it—is just outside my door. I resolve to do these things more: hike, take breaks, sit on the deck, notice the wildflowers—however small—and watch the lizards, birds and other wildlife. Absorb energy given by the moon, sun, stars, wind and rain with intent to return it in ways that are life-giving.

It continues. You can read the entire piece here.

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I’d had no idea what was in front of me. Do we ever really? We think we do. It’s how we try to control our world. Things can turn on a dime, and they do. If anything, the Camino is the great equalizer. It shows us what we all have in common, that separation is an illusion. It instills humility.

Sitting with the outcome of my Camino, attempting to make sense of the learning, I had come to one understanding. Presence. That one I wrote a bit about.

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Now something else is emerging. Transience. The nature of reality. An awareness we tend to turn away from. But it makes life that much more precious.

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*Kenosis Spirit Keepers is the volunteer-run 501(c)3 nonprofit I founded in 2007 to help preserve Indigenous traditions facing decimation.

Categories: Gratitude, Spiritual Evolution, Spiritual Travel | Tags: , , , | Leave a comment

Xapiri: A Matter of Spirit

In November while in Cusco I was referred to a gallery named Xapiri said to feature textiles and other artwork from the Amazon. It’s unusual to find such a collection in Cusco. So, I was quite intrigued about what they may have but also the name. I was to discover that “xapiri” is a sacred word identifying a collective of spirits consulted for their wisdom and guidance. It comes from the Yanomami people, a somewhat isolated tribe of the rainforest and mountains of northern Brazil and southern Venezuela.

Before I go any further I really want to introduce you to Jack Wheeler, who is the one responsible for birthing the gallery and its work. His story is compelling. He’s an example of someone who received a calling…paid attention…and followed it. Jack and I have corresponded and agreed a full-blown video interview will take place when we can both fit it into our calendars. In the meantime, I can share a shorthand version of his extraordinary story directly from Jack.

As for my story, these are the main points. It’s been eight years ago now that I left my position in an English bank to explore. My first stop was Cusco. I always felt like it’s my spiritual home. But over the next five years I traveled high and wide in South America, and I’d return to live in different European cities for my work. I was never content when in Europe.

Three years ago, after a long travel, I started to get more involved with Indigenous culture, specifically from the jungle. My first inspiration was from the Yanomami lands on the Brazil-Venezuela border. I met Indigenous supporters in Brazil who helped at the beginning of Xapiri with the initial introductions and contacts to the start the fair trade with art. Now full circle, I returned to Cusco, this time to live where my mind was first opened.  The Xapiri Gallery opened its doors in April 2017.

Jack Wilson image

Jack Wheeler at the opening of Xapiri in April 2017.

I truly resonate with Jack’s story. When the calling comes, if we then sort ourselves out and step fully on the path…all begins to slot in along the way that will further the journey. That doesn’t mean it’s easy. Usually not so much when it comes to breaking out of the mainstream. But through it, intent drives the process until we’re delivered⎯and beyond.

Xapiri has an important mission.

Xapiri supports Amazonian Indigenous culture by unifying ethical art, emotive photography and informative media. The vision is to increase awareness and inspire positive change.

I purchased three pieces. One small Yine textile and two larger Shipibo pieces to add to one I’d purchased years ago. As a narrative artist myself, I greatly appreciate works like these that tell stories, documenting their rituals and traditions.

About the Yine piece, Jack told me:

Yine image

 

I collected this fabric in person when visiting their communities a few weeks ago. Their community is in the Madre de Dios region, 10 hours from Cusco by bus. Then a 2-day boat journey from Puerto Maldonado… then you reach their community called Monte Salvado! By buying their art you are helping maintain their rich culture and identity.

We have only started to work with the Yine people recently so still learning all the time about their fabrics. The fabric is dyed the brown colour by using mahogany and then painted using clay. The Yine have 31 different designs, with this being one. In the next few weeks I hope to have a full collection of these graphics with their meanings! 

Of the Shipibo textiles I bought, he said this:

 

 

Shipibo image 1

Shipibo image 2

 

In the two Shipibo pieces, you can see the leaves in both. This is the chacruna leaf, influential in the Ayahuasca brew.

The Shipibo people live along the Ucayali River in the Amazonian rainforest of Peru. These pieces were created through a hand printing process that takes about a month or so to finish. Such textiles are central to their culture and show their communication and merging with the spiritual world of the jungle, particularly through the traditional ritual engaging Ayahuasca.

I’ll leave with this for now until Jack and I can get together for a video chat. If you’re in Cusco, be sure to drop by Xapiri. Aside from the art and film events, they also invite Amazonian artists and shamans to share their traditions. Xapiri’s website is also a wealth of information on different Amazonian tribes.

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Join me for The Heart of the Andes, our spiritual travel journey to Peru in Fall 2019. We’ll be dropping by Xapiri for sure.

Categories: Indigenous Wisdom, Spiritual Travel, Visual Arts | Tags: , , , | 3 Comments

In Memoriam: Doña Panchita of Palenque

There are people who belong to a place in such a way that they become imbued with the very energy resident there. It permeates who they are…and they’re generous with it. Over the years I’ve returned over and over to certain areas that are dear to my heart. In particular ways, I live vicariously through those I’ve known at some depth who have consistently played a part during special journeys. They ground me in the land. When I see them through the years, they reinforce all my experiences by virtue of their physicality. When suddenly that person is no longer there, it leaves a void and a piece of me goes with them.

Doña Panchita, curandera of Palenque, was one of those people. A couple of weeks ago, I received the sad news that she had recently passed. Annually during my Maya spiritual travel program in Chiapas, we would see Doña Panchita for an individual limpia, a clearing session.

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We would go to her home just off the main street running through the town of Palenque and take our places in her waiting room, which doubled as a storage and laundry room. Sometimes kittens would scamper in as the kitchen and rest of the living quarters were through an open doorway on the right. A curtained door next to the washing machine led to the tiny room where she saw patients. We weren’t the only ones waiting. Locals often sat patiently, too. You see, Doña Panchita was respected in Palenque as a bona fide healer. She served her community.

Working through prayer and clearing methods, she alleviated imbalances and dissipated blockages in the emotional and physical bodies, and dispensed with spiritual afflictions. She sent outside interferences packing, such as envy from others, etheric cording that drains, a hex from a sorcerer or any other detrimental attachments.

P1010689Doña Panchita was not given to talking about herself or how she worked. She was humble. In my experience over the years, she was no-nonsense and wanted to get down to business. I imagine this was especially so because she would already have had a full day from early morning working as a maid in a local hotel. That’s before she would begin seeing anyone in her waiting room. But one time her husband slipped in and sat down with us. He disclosed that the spirits of the house, or the small plot of land where it sat, had made their connections with his wife many years ago, and she worked through them.

She was Catholic, deeply religious. Along an entire wall from tabletop to ceiling, was an altar with religious statues and accoutrements of various sizes. She favored Mary. Framed pictures of saints also hung on the wall. I remember being overwhelmed by it the first time I entered the room. Other than the altar there were few furnishings. Mainly two chairs—one for her and one for her patient—and a small table to hold the herbs and other things she used.

LaCruzI remember the first limpia with Doña Panchita maybe ten years ago. She didn’t know me, and I didn’t say anything about myself except whatever she may have gleaned from my request of her, something fairly benign. I closed my eyes and heard her praying under her breath then felt her brushing my body, head to toe, with a branch of holy basil. Once she was done, I opened my eyes. I remember feeling a bit spacey and had glanced over at the altar, which seemed to have come alive. She stood in front of me pointing to an ornate cross around her neck and told me in no uncertain terms that I must immediately buy La Cruz de Caravaca and wear it, that I needed to protect myself because of the work I do. She then called to a young woman, probably a granddaughter, and dictated a prescription instructing me to, once I returned home, bathe in the infused liquid she gave me and purchase some other things to add to the bath. I did both.

During my 2011 session, I told Doña Panchita that I had been feeling off for some time. Nothing seemed to be going well. At every turn there was a roadblock. Sometimes it was worse than others. It didn’t feel like it was something of mine generating the problems. I always look inside myself first to evaluate.

What I had not told her was how uncomfortable I also was in my own home as though I was unwelcome. I often felt on edge. I would frequently wake up in the middle of the night on high alert as though there was an intruder in the house. Sometimes there would be popping noises or the bureau in my bedroom would crack loudly like it was splintering.

I had barely stopped talking when she took hold of my head on either side and began shaking it, making guttural sounds, growling, into the crown of my head. Then praying fervently and whacking me with a water-drenched holy basil branch. Understand this was rough treatment coming from her. She was normally quite gentle. When there was a lull, I opened my eyes to slits just in time to see her holding scissors a foot away from my body. As she began to slice through the air, I can only say it was like floodgates released⎯and whatever had been there…vacated. I felt immediate release…light energy…and extreme relief.

When she was done, she took an egg from the table and cracked it into a glass of water. After a few moments, she showed me the glass, and based on how the egg appeared, that all was well. I don’t know how to read such things. But I certainly took her word for it. I’ll never know the cause of all those troubles and didn’t ask her.

Before I stood, she asked me to open my hands and placed a white flower across my palms. She closed my hands together with her own and said, “For your work.” I was so very touched by her blessing.

After that journey when I walked through my front door, everything looked brighter in color and had a sparkle to it. Really. Whereas, for years I’d been experiencing the things I’d mentioned, from that time forward all has been clear. No more cracking furniture. No more high alert. I am home.

I hold much gratitude toward Doña Panchita of Palenque. I know others do, too. She blessed many with her attention, kindness and skill. She was the real deal and is missed.

 

Categories: Gratitude, Healing, Spiritual Travel | Tags: , , , , | 2 Comments

Spiritual Travel to Peru: The Heart of the Andes

PeruBoliviaCrossSPECIAL ANNOUNCEMENT

Spiritual Travel to Peru: The Heart of the Andes
September 2-12, 2018
An Intimate Journey Honoring the Peoples
of the Eagle and Condor.

Co-sponsored by Kenosis and Kenosis Spirit Keepers.
A portion of tuition tax-deductible.

Registration discount until June 4.

We are pleased to announce our 2018 Spiritual Travel Program to Peru, an immersion experience in sacred ways linking the Indigenous peoples of the Andes and High Jungle.

Through teachings, ceremonies and prayers we engage beyond the material plane and explore other dimensions of ourselves. Quechua and Q’ero paq’os — traditional Wisdom Keepers and mystics — guide us to encounter learnings that usher us into the world of the Andes, an alternate reality of life-affirming choices. Through an Altomisayoq, the highest level of Andean priest-mystic, experience the presence of the Apus⎯mountain spirits⎯and directly receive their guidance. Then encounter condors, representatives of the Upper World, in their natural habitat riding the air currents in front of us.

JungleBundle

Transitioning through the Cloud Forest, we float down the Alto Madre de Dios — High Mother of God — deep into the rainforest to the pristine, wild surroundings of the Manu Biosphere Reserve where we sequester. There we come to engage with Huachipaeri-Matsigenga teachings and medicine ways of the jungle with Elder Don Alberto Manqueriapa. It’s said he carries the rainforest in his soul.

To register and for complete information including  detailed itinerary, guides, tuition and travelers’ stories, go here.


Sponsored Guest: Through your tuition and private donations we are sponsoring a Native American Wisdom Keeper (yet TBD) who will travel with us throughout to share traditions with relations.

This is a journey of ayni — sacred reciprocity. We sit in ceremony of all these traditions, become an allyu — spiritual community — honoring all that sustains the planet and our own well-being. We come together with blessings, prayers and share the daily activities of all pilgrims.


Modesto


Registration is limited to maintain the intimate nature and has filled quickly in the past. A portion of tuition is tax-deductible to help preserve continuity of Indigenous wisdom traditions through the support programs of Kenosis Spirit Keepers, the nonprofit extension of Kenosis.

Early registration discount ends June 4. Register now to hold your space!
Registration deadline August 2.
For questions call 928-778-1058 or email info@kenosis.net.

Categories: Andean Cosmology, Indigenous Wisdom, Spiritual Evolution, Spiritual Travel | Tags: , , , , , | Leave a comment

Book Review – Café Oc

Are you one of those people who stumbles upon towns or regions that you simply must make your way back to over and over? Those places that reflect some kind of magic in the land? In the air? The people who live there retain it in their blood? It speaks to your very soul…and you can’t stay away? That’s me. I set up my life in such a way that ensures my returns to Chiapas, Cusco and Provence regularly. If I don’t heed the call, I mourn.

Cafe Oc imageBeebe Bahrami, a cultural anthropologist and travel writer, is one of those people, too. Through happenstance, she found herself in Sarlat-la-Canéda in the Dordogne region of southwestern France.  Her times there produced Café Oc ⎯an intimate love story rather than a travel book. She takes us on an unexpected spiritual journey, as she returns to Sarlat through the seasons, over a year’s time. What I spoke of in my life, she found in that medieval town and surrounding earth.

From her first winter, the reader is treated to the author’s initial impressions and evolves from there. Her lodging overlooks the historical area, giving a bird’s eye view of the bustle below, the market and its people. The deeper flavor of Sarlat is revealed as she begins to wander the town, frequents cafés, samples regional dishes and meets some locals. She feels something stirring and makes plans to return. Over the times that follow, she points the way to just what is inherent. The energy of subterranean waterways can be felt and emerge at certain points in town. Ancient peoples left their marks in caves that dot the region, and still have an effect  on the sensitivities of present-day residents. Then there are the sacred sites: natural and human-made.  She reveals what generates and permeates her longing to make this place home.

I became so enchanted with Beebe Bahrami’s soulful accounting of Sarlat that I’ve made arrangements to explore it next year myself. And⎯as happenstance would have it⎯I’m already going to be within two hours of that destination.

Available in print or e-book through Shanti Arts, Amazon and elsewhere.

 

 

 

Categories: Book Review, cultural interests, Spiritual Travel | Tags: , , , , , | 1 Comment

Tinkuy: The Confluence of Relationship

When two separate entities with measures of variance meet at an intersecting point and find their core elements to be the same, something indescribable occurs. Such an encounter, the inherent energy of one to the other, is called tinkuy in the Andean world.  We learn of ourselves because of the other⎯who may seem to reside outside our zone of  familiarity. We begin to understand where we can merge expressly because we begin to see what in the other is in ourselves, too. And we can heal when we allow that recognition. I see this in myself, and I see it in others. When it does and does not occur. I aspire to complete permission and presence. A deeply spiritual path, if you think about it, altogether possible.

Thomas Hatathli is one of the few remaining true Diné medicine men and Blessingway Chanters of his tribe. Last fall I was his patient during a healing session in Arizona. In the midst of it, I had a recognition.

When Thomas began to sing I closed my eyes. Before long I was lost to this world and entered the landscape this Chanter was weaving. Somewhere in there a thought swam up. I’ve heard this before. It sounds so familiar. I grasped to make the connection but couldn’t and surrendered again, letting the songs take me…

…As the last song ended, I opened my eyes and knew how the songs were known to me. Icaros. Just a few weeks before I’d been with Don Alberto Manqueriapa, a respected Huachipaeri-Matsigenga spiritual leader, again in Peru as he sang the icaros during the rainforest rituals that hold the same intent of the Blessingway Ceremony. A return to the natural order. They couldn’t be the same language. Yet they were. And they held the same frequencies. They were drawn from the same place…

I invited Thomas to come on this year’s Peru journey as a guest for this particular reason. So, when we were with Don Alberto in the high jungle of Manu and he began to sing his icaros during ceremony…and I heard Thomas’ voice on the air singing the same words in response…my heart lifted. Later, Thomas said the very same song existed in his tradition.

A few days ago, I received this note.

Thomas Hatathli image.

Thomas Hatathli outside Cusco. Photo credit: Betina Lindsey.

My trip to Peru was beautiful. I felt like I was guided in spiritual ways, what I saw in rainforest and jungle, is what I see when I close my eyes and do the earth prayer in Diné. I saw similarities in how we pray for connection and Hozho to earth, universe, mountain, water, darkness, early dawn, and rock formation.

 I was taken in by the Q’ero natives and lifestyle because that is how Diné people used to live prior to 1970. A time diabetes didn’t exist and Diné knew how to survive and deal with problems. There is much to learn from Native people who remain steadfast to their roots and natural laws. The trip renewed my desire to help in spiritual ways through songs and prayers here at home. 

 Ahe’hee (thank you).

Thomas

Tinkuy can happen with any form, any energetic relationship. Something timeless out of mind. An ancient song. A land. A person. The Cosmos.

 

Categories: Andean Cosmology, Indigenous Wisdom, Sacred Reciprocity, Spiritual Travel, Uncategorized | Tags: , , , , | 3 Comments

When the Invisible Manifests, Part II: A First-Hand Account of Talking with Andean Mountain Spirits

Part II: In which the Apus appeared.

I returned from Peru less than a week ago. My own night experience in the sacred compound, as I’ve given attention to describing it, remains foremost⎯I’ll say in my energy field because my mind can’t hold it or understand what occurred. I’ll admit to being a healthy skeptic for good purpose when there are so many passing themselves off for what they aren’t, sometimes causing great harm. I choose to be vigilant in order to protect myself and any group in my care. After the opportunity to talk with the Apus was offered, I accepted and included it for this year’s journey. Logic offers no answers here and, knowing the steward, I placed trust in him for his offering and the altomisayoq he arranged, one of three he’s worked with over some years.

I hadn’t previously noticed the anteroom where the session would be held. Perhaps the door had been closed when I’d been there before. A few of the group and I ventured inside for a brief look before we went to the temple for preliminary preparations. Immediately upon entering I was aware of the extraordinary energy, so strong it felt like my head would implode and fly off into the cosmos. We didn’t stay long.

The first order was to create a despacho, an offering and prayer bundle to later give to the Apu who governed the surrounding land. We all participated in unwrapping the many chocolates, cookies, candies⎯because the spirits very much enjoy sweets⎯crackers, sea creatures and the rest, while the steward placed all the elaborate piece parts in a particular order. Ultimately, he created a complex structure several inches high, our kintu prayers inserted⎯three coca leaves held together with llama fat topped with a carnation petal. Breath carried our individual prayers on the surface of each one we personally made. Finally, the entire bundle was completely covered with more coca leaves, neatly wrapped in decorative paper and secured. The steward was precise.

We approached the anteroom and filed inside. I wondered how we would all fit as it really was quite small. We numbered fourteen but all managed to find a space on the long benches that wrapped the perimeter, or the couple of chairs finally put in front of the door. The altomisayoq was already in his place in a confined spot in the front corner. The altar to the left stretched most of the space across the front and held flowers, a few capped bottles of soda and beer and ceremonial objects. A painting of Jesus graced the wall above. A waist-high table was immediately against the altar. The altomisayoq was boxed in, no room to exit or other freedom of movement unless he crawled over Marianne and me.

Once all were settled, the steward dropped the heavy curtain over the door. We were in absolute darkness. A few days prior I had prepped the group to have a couple of personal questions ready when it was their turn to speak with the manifested beings. These could be such things as concerns about family, health or relationship matters, advice on a project and the like. While they are not clairvoyant, the beings are wise and give information and suggestions from that standpoint. They can “see” into the body, diagnose health issues and prescribe natural medicines, even surgery, accordingly. If a surgery, they will perform it themselves.* The steward had advised that this space was not yet sanctioned for that purpose. But if a surgery was so prescribed they could go to an audience that would take place elsewhere within a few days. In the darkness, the steward would come get each petitioner and guide them to stand in front of the table to communicate directly with the beings. Marianne would translate the answers given.

We sat in silence. There was no light. My eyes did not adjust to reveal anything other than complete darkness. Suddenly, the altomisayoq chanted an invocation, inviting the beings in by name…then a sharp whistle. My eyes swiveled around the room searching but saw nothing.

Commotion came swiftly. Chaos. Loud flapping of many wings like huge birds⎯or something⎯near the ceiling, it seemed. Whoomp as something landed. Then more. It couldn’t have been but a couple of feet away somewhere there at the altar or maybe the table. Announcements…loud and garbled. The room felt suddenly full of some magnificent energy. Frankly, my mind fled. I couldn’t make sense of it all and have little memory of those first proceeding moments.

Condor image

A condor. Photo: Google, original source unlisted.

I was so confused and, as it turns out, so was everyone else who was having this experience for the first time. I wasn’t sure who or what had shown up until later when their identity was confirmed for us. Those present: Santa Tierra Madre Ascunto de Calca, Señor de Ausangate, Señor de Soqllacassa and Señor Sacsayhuaman Cabildo. †

Ausangate image

Apu Ausangate. Photo: Carla Woody

I was glad the petitions would go in an ordered fashion beginning on the other side of the room for I certainly wasn’t ready yet. I grant that the young woman who was the first of us to approach had courage…when she’d never even been outside the US before or encountered anything like this. A soothing grandmotherly voice welcomed her to the altar and asked, “What can I do for you?” She haltingly asked her questions and received the guidance, then was led by the steward back to her seat. It went like that around the room, the majority speaking to the Santa Tierra. For some it was quite emotional. There were tears. One asked to speak directly to Señor de Ausangate for a matter that directly required his intervention. When he spoke, there was great power and presence. It was a male voice. Some asked for healing or insight to a health issue and later reported a sense of relief and physical uplifting.

Other than times anyone was speaking, noise-making⎯pounding like a drum, a pop, stomping, clicking together of stones or crystals, rustling⎯emitted periodically from different places at the altar. Once I saw sparks, like static electricity up near the ceiling, but nothing else. Across the board, I noted how fluidly answers came, kind wise counsel. There was no hesitation, no searching around for a response.

My turn came. At the altar, the steward stood immediately next to me holding my hand, the other arm wrapped around me. Gentle support. I needed it. The energy was overwhelming. For one who is well used to public speaking and does so easily, I found myself barely able to put any words together. I was disoriented. I had my prepared questions but they wouldn’t assemble themselves to come out my mouth. They finally did though, and Mamita gave her practical, logical response to one and feeling response to the other. Both things I already knew and was validated.

The steward told Mamita I represented the group and had an offering for Señor de Sacsayhuaman, with respect and recognition as the holder of the land where we assembled. When we came in earlier, he’d placed two despachos on the table. The other was from Marianne for a special personal petition.

Señor de Sacsayhuaman bombed into the room. Much to-do. The despacho sounded like it was being torn to smithereens and inhaled…and I felt more waves of energy engulfing me. The offering accepted, my time was done. But instead of the steward leading me back to my seat, he turned his attention to Marianne, who was on his other side, for her petition and offering. His comforting physical support gone, I had the strong urge to grab onto him like a little kid hiding behind a parent⎯although I restrained myself. The woman who sat next to me on the bench later told me, when I never returned, she thought I’d been spirited away by the Apus…

Marianne stated her request fluidly and made her offering, no stumbling around. But then she’d done this several times before. All was then complete. We once again heard the voice of the altomisayoq thanking these manifested beings profusely for answering his call. Mamita’s voice overlapped his, speaking for the Apus and herself, giving blessings and saying goodbye. Again, chaos moved the air, flapping of many wings…silence. The magnificent energy in the room had vacated.

A few seconds later, the steward turned on the lights. All was the same as when we entered. All were in their original places except myself and Marianne at the altar. The despachos were as they’d been placed on the table and appeared to be untouched. One exception: The bottle of beer on the altar was now uncapped.

Before she left, the Santa Tierra⎯Mamita⎯advised that if we wanted to be in contact with her, we could burn a white candle. We wouldn’t see her, but she would be there.

I have mine.

To read Part I of this accounting, in which the foundation is laid, go here.


*From someone who had undergone a surgery by the Apus, it is a physical matter that involved some pain. When over, a thin red line remained on the person’s body for some time at the site of the surgery. There was no blood or stitches. The explanation given was the wound closed up immediately. The result was relief. This from someone who is credible and would have no investment in relaying something other than the actual experience.

† Santa Tierra Madre Ascunto de Calca was the director of this session. She is also known as the Virgin Maria de Lares Calca. Calca is a village in the Sacred Valley near Cusco. Apu, being Quechua, also translates to El Señor. Apu Ausangate is considered the supreme witness, one who has powers of increase and healing. Apu Soqllacassa has nursing capabilities. Apu Sacsayhuaman Cabildo is a keeper of knowledge and wisdom.

 

Categories: Andean Cosmology, Indigenous Wisdom, Q'ero, Spiritual Travel | Tags: , , , | 10 Comments

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