A couple of months ago, the newly established Museum of Beadwork in Portland, Maine sent a call out for bead artists to participate in a very special project, which would become part of their permanent collection. It was an invitation to a community undertaking. Artists would create a design of their choice on a six-inch square hard surface. All the squares would be put together in such a way to form a visual quilt.
The potential of such a project caught my attention. Decades ago in a college art class, the instructor assigned students to shoot black and white photos of the urban industrial landscape that were later cut up, pieced together and mounted on a large collective board. It produced an interesting piece of art. I’m quite sure the outcome was intended to probe the depths of a philosophy—because that’s who the instructor was—and open our sensibilities. I wish I remembered what we unearthed, quite unknown to us at the start. At any rate, the memory of that assignment, the process and result, stayed with me all these years and came to mind again after I received the call for bead artists.
I sat with it. I considered participating but nothing as far as design came to me. And frankly, I work much larger than the criteria allowed, and it felt restricting. But then I thought about haiku and the six-word story. In their brevity, just the framework, much is left open to the reader’s interpretation. And isn’t that what art is at its best anyway? Something evocative that touches you? Through which you can have an experience?
That still didn’t produce a design of any juice for me. Finally, something did. I focus my writing there frequently, and especially now.
…liminal space, the territory that holds the material and imaginal realms equally…until they come together as one.
—Excerpted from Liminal
In the last month I’ve written of immediacy and the process we’ve collectively undertaken one way or another produced by the pandemic: This Pilgrimage We’re On and Move Slowly Back Into the World.
Of course, I’d also want to commemorate my own process in a piece of artwork! But it’s even more than that. Within a rite of passage, it would become a sacrament. An invocation, an intent to release into the world held lightly by community. It takes on power. With shape, color and symbols, as the piece may speak for me, others may find their own meaning through what is left unexplained. The fashioning of form, the placement of each bead is no less a prayer, the embodiment of spiritual practice set into it, ultimately to be released to those who may feel and see, those who open their sensibilities to be touched in that way.
Offering from the Heart. Bas relief mixed media, 6″x6.” ©2020 Carla Woody.
I finished my Offering from the Heart. Now it’s getting ready to travel across the country to finally find its placement in the community project.
An idea occurred to me after my own piece was completed. This really is a momentous time to make visible what comes from the core. While I usually don’t accept art commissions, I would be glad to do so for anyone wanting to mark their own rite of passage in this way. An intent to move into form, remembrance of a loved one, a blessing to release whatever it is whose time is past. The expression would be yours to formulate and provide me as the well from which to draw. The heart—being the carrier of love and resonance—and the square—as consciousness, Mother Earth, foundation—would remain the common elements. A piece to take its place on your altar, hang on the wall, or include in ceremony. I’d welcome any sacred items, symbols or anything else that would further personalize and would be possible to include within a 6”x6” or 8”x8” format.
See my artist website for detailed images, options and pricing.
The Lifepath Dialogues 