Global Consciousness

Film Review: The Cave of Forgotten Dreams

In 1994, local cavers Christian Hillaire, Eliette Brunel-Deschamps and Jean-Marie Chauvet discovered a previously unknown cave with extraordinarily preserved, ancient rock art. The cave is located in the Ardèche region of southern France. In 1998, a small team, headed by Dr. Jean Clottes, began research and Carbon 14 dated the art to 30,000-33,000 years old.

Chauvet Cave is about five hours to the east from where I was during June in the Dordogne region, the particular section called the Périgord Noir. This is where I was so fortunate to experience two caves with very limited access, Les Combarelles and Font-de-Gaume, and was simply overcome. A couple of people, whose names have slipped my memory, then suggested I see the documentary The Cave of Forgotten Dreams done by Werner Herzog on the Chauvet Cave. If any who directed me are reading this review, I thank you profusely.

cave of forgotten dreamsHerzog managed to produce a film that gives a visceral sense of another such hallowed space. Contained in the Chauvet site, home to cave bears, also rest antiquities – indeed lineage bearers, all that remains from the perceptions and sacred expressions of Paleolithic artists.

The team allowed to enter was quite small, some researchers and a few filmmakers, and only for limited times. They could touch nothing of the interior, walking on a carefully protected passageway alone. Remembering how overwhelmed I was when entering 10,000-year-old sites, I could only imagine the condensed energy of one 20,000 years older. One young scientist was interviewed and spoke of how, after working in the cave for five days straight, he found it so powerful he had to take a break to absorb it all.

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Panel of lions. Source: The Bradshaw Foundation.

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Fighting rhinos and four horses. Source: The Bradshaw Foundation.

There were so many similarities to my own visit to such sites in the Périgord Noir, although mine were but a snippet. The awe as to the sophisticated renderings and talent. How they translated movement and power of their subjects. How the very place seemed alive. This was so especially in the sweeping scene of images filmed purposefully in silence. I will confess it brought tears to my eyes.

Remember this is narrative art. The narrator pointed out two sets of lions. In one, the obviously male lion was courting a female who was not ready to accept his advances. She growled at him. In the other, the female had agreed, shown as snuggling the side of the male.

I highly recommend this film for those who wish to gain a new respect and appreciation of our ancient ancestors, and for art enthusiasts who want to trace influences on much later, modern artists.

As an aside, I noted in research elsewhere that when the age of the Chauvet Cave rock art came out, it was contested by those who insisted on adhering to their outdated, ego-entrenched conjectures. This also happened with the Altamira cave in northern Spain. Altamira itself was found by a local hunter in 1868. He told Marcelino Sanz de Sautola, an amateur archeologist who owned the land. In 1879, he began excavation, but it was his young daughter Maria who actually discovered the cave paintings. When Sanz de Sautola attempted to take the findings public, suggesting the art was 10,000 years old, he was declared a fraud and the paintings fake by those of the same ilk mentioned above, plus the Catholic Church. He suffered the effects of public humiliation until his death. Posthumously some twenty years later, he was recognized for his achievements, the age of Altamara cave art not 10,000 but 35,000 years old. An account is given in the little known film Finding Altamira, which can be viewed on Netflix.

The Cave of Forgotten Dreams is available on Netflix and has also been uploaded by viewers onto You Tube. One hour, 35 minutes.

Categories: Film Review, Global Consciousness | Tags: , , , , , | Leave a comment

The Great Unsettling

Maybe you’ve been in the same place or still are. I started experiencing a sense of generalized, underlying dread. Like waiting for the other shoe to drop. A kind of existential angst…over which it felt like I had no control. For months, I awoke in the morning and steeled myself to face the day. What new outrage would be presented? How do I navigate the low-level grief – or overwhelming waves of sadness and righteous anger – and be able to function reasonably in my everyday life? My energy was sapped by some stealthy foe.

Then I realized I’d started to grow numb to what occurred…and that’s not healthy. That would only indicate that it was becoming submerged to the point of becoming the norm.

That isn’t who I am or how I choose to live my life. I can pinpoint exactly when it began – and it turns out I haven’t been alone.

Oh, I’ve been through the intensity of the Dark Night of the Soul, thrashing around in the invisible landscape, and came out the other side. You can read about those years in my book Standing Stark. That’s not what this is about. Nor is it about all the times I stood at the threshold – restless for change – sensing, but not seeing, the next realignment of my life. Those times I actively chose. Those were personal. As much as any of us have any control whatsoever, I felt as though I was the rider of that horse who, in partnership, would take me where I was meant to go.

After the many months, I finally determined I’d relinquished the reins and wasn’t on the horse at all. In shock, I’d allowed myself to be thrown off by a dangerous runaway, out of control, underbelly completely visible.

Here’s what makes this different: This challenge was delivered at the meta level. It affects the world community and our collective future.

***

In June, I was in France for the month, the last leg two nights in Toulouse. A little rest before the long flight home. I was walking along the river when I glanced back toward the Pont Neuf bridge and saw the most curious thing. There at the edge of the circular opening between the piers closest to this side of the bridge sat a figure, its legs dangling over the edge. A red devil. At first I thought it was someone dressed in costume, maybe a street performer. I snapped a photo and posted it on my Facebook timeline, jokingly labeling it The Entrance to the Underworld. A closer look – and the fact it hadn’t moved the next day – determined it to be a fixture.

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Overnight I’d done some research and learned of Notre Dame de la Daurade, less than ten minutes from my hotel, that contained a Black Madonna. Excitedly, I struck out the next day. I couldn’t understand why I hadn’t noticed the church previously when it was located along the river, quite close to Pont Neuf. Then I saw why. It was a blocky building, looking more like a Masonic Temple or maybe part of the art school whose walls adjoined it. Plus, it was partially hidden by fences and restoration equipment. But the front door was open. So I entered.

The inside walls were shrouded in dirty draping, dust everywhere, building materials scattered on the floor. No pews. Nothing really. Not what I expected. The few workmen I saw paid me no mind. It took me a minute to get my bearings. I knew the Black Madonna was supposed to be in the southern transept and picked my way through. I was about to go through a small opening in the drapery that segmented the back part when a man, probably the one in charge, told me I couldn’t be there. I attempted to talk him into it, “Even for a moment?” But he was firm.

Disappointed, I turned to go. I was nearly out the front door when I felt a strong pull coming from my right. I paused to look around to see if the coast was clear…then followed the energy. That’s where I found her. She was stuffed into a dark niche, stripped of her finery, behind tall iron bars, a padlock barring entrance. It seemed so disrespectful. A couple of candles burned just outside. I stayed for a long time. If anyone saw me, they let me be.

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Something bothered me. The only things of significance I took away from Toulouse were that devil – on which I could find no information online – and the Black Madonna. It just didn’t sit right with me. So I sat with it for several days through the first few days I was home. It hit me.

The devil guarding the gate. The Black Madonna and child locked up. Held hostage. Renovation.

I’m one for metaphors. When I’m involved in deep spiritual inquiry, that’s where my mind tends to go. This, coupled with all the environmental upheavals across the planet, brought me to focus. It’s not like I didn’t know this at some level. Now it’s no longer hidden. I’ve got it.

This is shadow work. We’re all being called to it: collectively and individually.

We’re being asked to consider:

  • In what ways we argue for our limitations;
  • The call to re-examine our cultural norms;
  • The willingness to avert our eyes;
  • The act of unconsciously filtering because we can’t contain it all.
  • How we perpetuate implicit bias.

I’m deep in the thick of it. Sorting. I don’t have any answers yet. Just the questions that have been there all along now made plain and visible.

For me, insights come in silence and solitude – in the early morning when all is still and little is fighting for my attention – still fresh from sleep where so much is recycled and put to bed. The way through reveals itself in the aftermath of meditation, in the process of writing or creating artwork, and during the method I use to clear my brain.

Whatever answers finally come are mine and may not be yours. But my deepest hope is that all will hold the core values that nurture the collective. In the meantime, these things I write of here are helping me fine-tune the path I take.

 

Categories: Global Consciousness, Healing, Spiritual Evolution | Tags: , , , , , | 8 Comments

Book Review: The Muralist

muralistI read B. A. Shapiro’s bestseller The Art Forger when it came out and enjoyed it immensely. When art is the backdrop against a true-life story, and I can learn something along the way, I’m automatically drawn. So when I stumbled upon her next novel, it was a shoo-in that did not disappoint. Plus, I became aware of shameful things in US history that certainly have been downplayed, but absolutely relevant today. A horrendous part of French history is also enlarged upon beyond what I’d known. These two areas are largely why I’m reviewing this historical novel here.

The storyline is introduced in present-day when art historian Danielle Abrams, working for Christie’s auction house, received boxes of paintings to research and authenticate. Knowledge and gut feeling told her they were likely Abstract Expressionist pieces, potentially pre-WWII. She felt the stirrings of excitement, a possibility arising. Could they be early works of renowned Abstract Expressionists? With that, her thoughts turned toward her great-aunt Alizée Benoit, the family legend and mystery surrounding her. In the first stirrings of WWII, Alizée had moved to New York for the sake of her art, leaving her Jewish family in France. Family stories had it that she somehow became connected with Lee Krasner, Jackson Pollock, Mark Rothko and others, little known at the time, and played a significant influence on these giants in the Abstract Expressionism movement and their styles.  But suddenly in 1940 she disappeared. No one knew where or why. Attempts led nowhere and there were whispers of mental illness. Only two of her paintings remained, given to her US family by a patron.

An unexpected find that she believes was somehow connected to her missing great-aunt causes Danielle to undertake her own search to resolve the mystery. We are ushered back to the late 1930s, a couple of years after Alizée’s arrival in New York, as she is making her way in a country critically affected by the Depression. By this time, she is working for Works Progress Administration (WPA) Federal Art Program (FAP) on murals, destined for public sites like government buildings, train stations and the like. She rubs elbows with serious artists of the time, and becomes part of the close-knit group that include those mentioned. The narrative follows Alizée as they work and practically live on top of each other, arguing about art and loving in the midst of uncertain times.

In the meantime, the threat of Hitler becomes more and more real. Alizée’s close and extended Jewish family in Europe enlist her to help them apply for US visas to escape the tyranny as it becomes increasingly dangerous and communications diminish. The one bright point in her life is art and the unforeseen patronage of Eleanor Roosevelt, a champion of the FAP.

Alizée bumps up against block after bureaucratic block in rescuing her family. She learns that Breckinridge Long, the Assistant Secretary of State in President Roosevelt’s administration and an anti-Semite, was actively withholding granting of visas to Jews seeking to escape Nazi Germany, stating they may be criminals and spies. President Roosevelt, for his part, turned his head away from this matter as too politically sensitive.

Rumors of the Vichy government’s collaboration with the Gestapo, police raids in Paris, where her family lived, and transfers to a “holding camp” an hour away by train trickled through. Becoming more and more desperate, Alizée found no recourse but to join a dissident group and take drastic measures.

Danielle’s painstaking search for the fate of Alizée Benoit uncovers answers, piece by perturbing piece, that bring resolution from the past to the present.

B.A. Shapiro was faithful to documentation of the bohemian and sometimes tragic lives of the Abstract Expressionists, WPA/FAP and Eleanor Roosevelt’s support of the arts, which I found quite interesting. More so, she built a poignant story against the terrible landscape of politics, war and genocide of those times…some of which sound all too familiar today.

Here are the facts.

Ultimately, the effect of the immigration policies set by Long’s department was that, during American involvement in the war, ninety percent of the quota places available to immigrants from countries under German and Italian control were never filled. If they had been, an additional 190,000 people could have escaped the atrocities being committed by the Nazis.

Source: Wikipedia.

The Drancy camp was designed to hold 700 people, but at its peak held more than 7,000. There is documented evidence and testimony recounting the brutality of the French guards in Drancy and the harsh conditions imposed on the inmates…upon their arrival, small children were immediately separated from their parents for deportation to the death camps…

Of the 75,000 Jews whom French and German authorities deported from France, more than 67,000 were sent directly from Drancy to Auschwitz… As the Allies were approaching Paris in August 1944, the German officers fled, and the camp was liberated on 17 August when control of the camp was given over to the French Resistance and Swedish diplomat Raoul Nordling…

Source: Wikipedia.

Eleanor Roosevelt’s son James told historian Doris Kearns Goodwin that the greatest regret of his mother’s life was her failure to convince her husband to admit more European refugees to the United States before World War II. Her lament is a warning to all of us.

Source: Salon.com.

The Muralist is available in print, audio and ebook through Amazon and wherever books are sold.

 

 

 

 

Categories: Book Review, Global Consciousness, Visual Arts | Tags: , , , , | Leave a comment

Neither Wolf Nor Dog…Or When a Calling Comes

This is less of a review and more of a story about how I came to learn of the book Neither Wolf Nor Dog, and then my process through attempts to understand its full, often uncomfortable meaning.

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About this time a year ago I received an invitation, really it was delivered as a demand, from a Lakota elder that I come to South Dakota to receive teachings. It came at a time I was continually traveling, barely home but longing to be. When I thanked him and attempted to arrange a time that made it easier for me, he became insistent. We finally settled on a time. For me, it meant giving up the only travel-free week I’d had in some time. I wasn’t sure what this was all about, and didn’t know the elder. The prior contact we’d had was relatively brief, a long phone call. I finally decided it was something I was being called to do.

I would like to say it was a meaningful journey and a great sharing passed between us. Instead, our time ended abruptly. I left with even more confusion than I’d periodically felt over those days and a high level of frustration, angry at myself that I’d been talked into coming. Clearly, there was much he kept tightly wrapped. Although, it sometimes emerged in ways I wasn’t used to dealing with, much less how to respond adequately. But I was going directly to another commitment, one that mattered a lot to me. So I tucked the strong emotions away and chalked the whole thing up to a mystery of the Universe.

Before I made that trip to South Dakota, I’d mentioned it to a friend. She said there was a book she thought would be good for me to read. I dutifully ordered Neither Wolf Nor Dog but didn’t have time to read it before I left. It found its place on my bookshelf where it languished. I hadn’t known it was made into a movie. Some months later it was being shown where I live, and I followed the strong urge to see it.

The film hadn’t progressed very far when I began to get the eerie feeling of dejá vu. An author from Minnesota, Kent Nerburn, received a cryptic phone call out of the blue from a woman saying her Lakota grandfather wanted to see him. No reason given but delivered with a sense of urgency. Some months later, Nerburn—as he came to be called—finally was able to free up some time to make the long trip to the isolated place the elder Dan called home.  There were few explanations given to Nerburn, punctuated with a lot of silences. Quickly, Dan’s younger Lakota friend Grover was introduced into the story, a caustic individual with barely contained anger frequently directed toward Nerburn in clipped tones and looks. Frankly, I wondered why Nerburn stayed around. I think he did, too. He wrestled with his own responses and ultimately decided to let things play out. Plus, he had the nice guy syndrome going.

I experienced repeated slaps in the face watching all this. It was visceral. When Dan and Grover threw Nerburn in the car and took off on a little explained, exhaustive trip across the Dakotas, my forearms puckered into chicken skin that didn’t go away until the film ended. There were just too many parallels. The places they went, the flavor of the discourse. Showing rather than telling. When Dan broke silences to hold forth on what he wanted Nerburn to learn of the Lakota people…what he wanted Nerburn to put out there in writing… Well, I don’t have words for what I felt.

Clearly, I was not going to be allowed to tuck away my still strong emotions and bewilderment about the journey I took to the Dakotas. I can only believe unseen forces were taking me by the hand to engage with all of it.

So I started to read the book. It was not easy going for me. I could only read a few pages at a time. Then I’d have to digest the contents. Most of the things covered in Neither Wolf Nor Dog I knew about in some form: the atrocities done to Native peoples by whites, cultural differences in beliefs and values…and then there’s appropriation of Native traditions by white people searching to find spiritual grounding…or those who seek to do good but hold a hidden agenda. But I hadn’t found anything to the depth or in the frame presented by Dan, and even Grover, in this writing. The book naturally goes much deeper than the movie ever could.

It took me over two months to read Neither Wolf Nor Dog. I stepped back numerous times to examine the level of my own assumptions and awareness, as well as my motivations behind the work I’ve devoted twenty years of my life. It was a necessary, intensive process. I can’t say it’s over. Instead, it’s all percolating some place inside. I don’t know what will finally emerge.

Neither Wolf Nor Dog is book one of a trilogy that recounts the story of an Indian elder, the surrounding Lakota community, and the white man who somehow has been called to be part of the Truth-naming. The Wolf at Twilight is about Dan’s search for his long-lost sister Yellow Bird who, kidnapped from her home some eighty years before, never returned from the Indian boarding school. The Girl Who Sang to the Buffalo brings back the things many have forgotten: the meaning of dreams, the abilities to engage with nature and speak with animals. Sadly, it uncovers the existence of a secret asylum and events that took place there.

Kent Nerburn says these books are fictional accounts of actual events. The truths are in each sentence and have global application. This isn’t merely history. It’s today.

The books are available on Amazon or elsewhere. The movie may still be making the rounds in theaters. Hopefully, it will be offered streaming soon.

***

With many thanks to Karen Marchetti who turned me on to Neither Wolf Nor Dog. Without this guidebook I may never integrate the odyssey I was strangely called to undertake.

Categories: Book Review, Film, Global Consciousness, Indigenous Rights, Indigenous Wisdom | Tags: , , , , , | 2 Comments

Lineage and Tradition: Holding Strong for All That Matters

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Ceiba: Tree of Life. ©2018 Carla Woody.

I’ve been considering lineage. First coming from Latin as linea, evolving to Old French lignage and English line to finally form lineage, meaning lineal descent, ancestry and parentage. It has to do with roots from the seed. What is the seed? Where are your roots planted, and how deep do they go? That’s underground. What is drawn up through those roots to make its way above ground? Heritage is a living entity. What does the bloodline produce?

I like this on lineage from biology: a sequence of cells in the body that developed from a common ancestral cell. I think about origins, and all the stories that are passed along a family line ⎯ said and unsaid ⎯ and those told over and over that bind a collective to each other. Influences. There are those stories best to learn from and let go. But that’s another piece of writing.

Here I want to focus on tradition as it speaks to lineage.

When we are rootless…when we don’t know where we come from and don’t hear the stories…we long for knowledge of the line that could give us spiritual grounding, heritage in the highest sense. If we never know…if we’re disconnected…then we’re left to take the solo journey toward creating a solid identity. Or, not at all and remain ungrounded. Some are fortunate to find community that sustains them. Floundering is often the norm until some semblance of foundation forms. Whatever traditions come of this quest are deeply personal and create stability through time. They give expression and instill what it means to be human.

There are multitudes across the world who can trace their lineage back hundreds to thousands of years. Most of these are tribal peoples. They are grounded in the very lands where they or their ancestors were born. Their stories are centuries old, some never written down, and endure. They know who they are at a deeply unconscious level, made visible through their traditions. Rituals ⎯ how a baby receives its name, crops are planted, dreams advise ⎯ provide the framework that guide lives. They are not alone. Ancestors are actively present. So is the community. The richness of lineage is told through dance, songs, music and art.

I say these are the sacred threads that hold the world together because it’s true. These timeless elements produce spiritual grounding and strength beyond anything material. Yet to the present-day mainstream majority these threads are unseen or valued least with little to no thought or understanding.

There are so many examples of detractors acting against the stability that we all seek at a core level. On the world stage, most of us (who would be reading these words) can name those most grievous actions and their perpetrators right off the top of our heads. The source is rootlessness, the disconnect of those who have chosen to stay ungrounded. I have to believe this because I can’t imagine that anyone who has pledged commitment to all that encompasses spiritual identity could even consider, much less act on, what tears the world apart.

The question becomes how do those of us who hold value for the planet and all beings, not only survive but thrive and stand up to what acts against all we hold dear. I don’t believe we do it by force. I don’t believe we do it by cutting ourselves off from what is going on in the world. By virtue of holding anything at arm’s length, tension is created by focusing on what we want to avoid…thereby naturally drawing it to attention.

I don’t believe we do it by allowing ourselves to be assaulted. I say this in particular because I felt that way for months in this last year when I’d learn day by day of yet another thing that went against my deeply held spiritual values. This wasn’t just an attack on my mind. I felt the attack viscerally. But going numb isn’t the answer either.

I’m writing of this because it’s been so much on my mind. It’s probably been on yours. As I have been attempting to grapple, accept, rise above…I can’t say I have answers. But in the midst of all this, something did present itself. I’ve been drawn to return to reading passages in spiritual literature, adding this practice in to my daily meditation as I did many years ago when going through difficult times. I do feel strengthened.

We find our true identity in lineage and tradition, the sacred threads that hold the world together, woven tightly and held lightly.  I do believe this is what we’re called to do in these times, upleveling the breakthrough that must be on the horizon.

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Drops and Ripples. ©2018 Carla Woody.

Synchronicity being what it is, as I was finishing up this piece, I received the weekly newsletter with an article from Yes! Magazine entitled Don’t Just Resist. Return to Who You Are by Taiaiake Alfred. I zeroed in on these words scattered through a paragraph.

Reclaim.

Rename.

Reoccupy.

Restore.

That seems to say it all.

 

 

Categories: Global Consciousness, Healing, Indigenous Wisdom, Sacred Reciprocity, Spiritual Evolution | Tags: , , , , | Leave a comment

Sharing Medicine with Turtle Women Rising and Kenosis

SPECIAL ANNOUNCEMENT
A Sharing of Medicine with Turtle Women Rising and Kenosis
for Indigenous Women Veterans.

This is a grassroots effort. You are invited to help us create the first of many such healing gatherings to come for Indigenous and non-Indigenous groups. Please lend your help through donation and spreading the word. Ways to support are included below.

TWRGoFundMe

I am partnering with Eli PaintedCrow, Iraq War veteran and Co-founder of Turtle Women Rising in this grassroots effort toward generative healing of trauma and pain…that would positively affect individuals, families and communities. This is a suicide prevention effort

We are undertaking a pilot program merging the powerful, documented healing effects of the drum and a clearing method called Brainsweep I’ve been offering with much success.

This first opportunity is offered to Indigenous women veterans living in California at no cost to them, to include teachings, materials, food, travel and lodging. We intend this gathering as a model to evaluate, expand upon and offer to other Indigenous and non-Indigenous groups. The application information is below.

Carla Woody
Founder, Kenosis Spirit Keepers and Kenosis


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Walking in Your Spiritual Authority: An Indigenous Remembering for Healing
August 2-5, 2018 in Twain Harte, CA


A Collaboration Between Turtle Women Rising and Kenosis.

Kenosis Spirit Keepers, the nonprofit extension of Kenosis, is the fiscal sponsor for Turtle Women Rising. Any donations are tax-deductible.

 

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We create a safe haven within the timeless prayer of the drum. Science is catching up with what Indigenous peoples have known for millennia. Drumming has been shown to elevate moods, intervene with the use of numbing agents and guide us back to ourselves.

BrainsweepPage-1In the sacred presence of the drum, a set of simple, safe techniques called Brainsweep is taught. These interventions drastically reduce or eliminate symptoms associated with PTSD and other traumas. Working with the brain, they interrupt triggers and dissipate automatic responses to stressors. Easy to learn, they’re meant to be self-administered whenever needed. There’s no need to disclose personal history, and healing results are experienced without medication or therapy. When misguided, automatic fight-or-flight responses ⎯ emotional or physical ⎯ no longer occur, it paves the way for clarity, life-giving choices and a meaningful life.

Participants leave the gathering with a personal drum each has made, having learned ways to support health and wellbeing — and fully claim spiritual authority. We remember and regain the walk of our ancestors who wait patiently in our veins to be healed by us as we heal ourselves. We walk as one heartbeat, that of the Mother.

APPLY FOR A SPONSORSHIP. MUST BE RECEIVED BY MAY 4.

If you are an Indigenous woman veteran living in California ready to move beyond pain and disconnection, please apply. Go to the gathering program page and download a sponsorship application.

If you know someone who would be interested, please share this announcement.

HEALING WAYS THAT WORK.

 

Eli PaintedCrow has been invited to speak at the Native American Veterans Association Summit on March 29 at the Long Beach VA on her own PTSD recovery using the drum and Brainsweep.

They stood up for us. Let’s stand up for our sisters.

Not one more suicide, please.

MAKE A TAX-DEDUCTIBLE DONATION TO SUPPORT THIS GRASSROOTS EFFORT. THE WORLD NEEDS THIS WORK.

• To donate via Kenosis Spirit Keepers, go here and scroll down to Turtle Women Rising fiscal sponsorship.

• To donate via our Go Fund Me campaign, go here.

THANK YOU for helping bring about this grassroots undertaking that ultimately can have a wide reach toward healing.

 

Especially in these times, we need it. The planet needs it.


Join me and accept our invitation to be part of something beautiful…something that brings hope…and know that you are supporting continuation of the invisible, sacred threads that hold the world together.

Categories: Global Consciousness, Healing, Indigenous Wisdom, Sacred Reciprocity | Tags: , , , , | Leave a comment

Review: The Mythic Writings of Tom Hirons

I cannot tell you how I came across the poetry and prose of Tom Hirons. Perhaps the Wild God he writes of led me there those years ago. But once I laid eyes on the words that came through him — because he himself thought they were a remembrance from elsewhere — I’ve been held captive, wanting more. This writer knows how to reach in and shake any dormant aspect of us from sleep. He writes not to the archetype, but the actual Hero we all carry at the core. This isn’t a fairy tale, and Hirons doesn’t deny the messy doings in bringing the Wild God-Hero to full light. In the process, he ushers us into the Dark Unknown where fear raises its hackles in all kinds of unimagined ways. Still, the Wild God will not deny us.

I dare you to listen to Sometimes a Wild God narrated by the poet himself.  Then read the words. How can you not be shaken to the core?

Now Tom Hirons has just released Nettle-Eater in which he speaks to us directly, garnering our attention in the first several lines.

You know the call.

All your books speak of it.

If I differ from you, it is only in this: When the call came, I heeded it. What the call commanded, I fulfilled.

The call said:

Go to the moor.

Live wild there.

Eat only nettles for one year.

 

This is what I did.

Then he proceeds to disclose the Dark Night, the footfalls and not-of-mind ramblings of the initiatory journey, and emergence of the soul. As a prophet once said, this is for those with ears to hear, eyes to see. Spend time with the nettle-eater. You’ll find all the unknowable secrets revealed. At the end, he presents The Invitation.

And you, sitting there?

Do you know these things?

Look at that world beyond your door.

Your life is on fire.

Run!

Dive in, though it surely means death. Taste the streams, the heather and the gorse and the broom. Hold the river stones. Sleep with the waterfall as your pillow. Braid yourself to the horse’s mane. Sing the great lament of your own lost life.

In time, scar yourself with fire and stone. Immerse yourself in such immovable darkness that the lightning cracks you in two.

You were never more lost than you are now, if you cannot reach out, touch the wild earth and weep.

Run!

It is not yet too late, but soon it will be.

Run!

Do not sit there, wondering.

I have told you the truth.

The author generously offers Nettle-Eater for you to freely read in its entirety. You can also go to the Hedgespoken Shop to purchase a signed, limited edition chapbook to hold in your hands. Sometimes a Wild God is available there in illustrated book and poster forms as well.

Categories: Book Review, Global Consciousness, Spiritual Evolution | Tags: , , , , | Leave a comment

Film Review: Facing the Enemy

This 2001 film by Everyman, BBC Two, is for today. Right now. The times, the unprecedented questions and emotions, that must be dealt with are still relevant. The more that we challenge ourselves to face them, the more we can individually change the world⏤one by one, step by step.

In October 1984, Sir Anthony Berry was killed, with four more, by a bomb planted by IRA bombers at the Grand Hotel in Brighton, England where Margaret Thatcher’s party gathered for a conference. Patrick Magee, one of three bombers, was caught. The other two never were. Convicted of murder, he was remanded to prison for 8 life sentences with a minimum of 35 years. But in 1999 he was released under the Northern Ireland Good Friday Agreement.

In the expanse of time from her father’s murder, Jo Berry held the desire to understand why such a thing could happen. She wanted to hear directly from the one who committed the act. She wanted to move through trauma and despair. She wanted to open her heart.

This is a documentation of meetings between Jo Berry and Patrick Magee that began in 2001. It’s an opportunity for us to witness two people speaking directly to each other, dealing with the action that brought them together and all the resulting emotions on both sides. It can give us courage to do the same in our own lives where it’s needed.

In September 2015, we at Kenosis Spirit Keepers collaborated with the Quad-City Interfaith Council to bring Jo to Prescott, Arizona. We viewed the film Beyond Right and Wrong in which they are featured. Then she took questions. You can see that video here.

In Facing the Enemy, Jo spoke haltingly of all the pain Patrick’s release from prison brought up for her, even though she thought all the grief was squeezed out, and so many years had gone by. Patrick received the expression of Jo’s pain and spoke of his own. Both of these individuals possess enormous courage not only to face each other as they did. But also having chosen to work together all these years in the hopes of allaying such tragedies in the world. Since then they have appeared together more than 150 times.

Truly, this video should be viewed as widely as possible. Recently uploaded for streaming on You Tube, 60 minutes. If you’re unable to see the embedded video below, go here.

Note: Jo Berry will be in Arizona, Washington and Colorado in October 2017. If you would like to book a venue in the US with Jo, please contact Karen Marchetti via email imaginepeace0928 (at) gmail.com.

 

Categories: Compassionate Communication, Film Review, Global Consciousness, Healing, Uncategorized | Tags: , , , , | Leave a comment

Book Review: A Chosen Exile

ChosenExileThere have been any number of books that exposed the horrors of slavery in America. But few have focused on a particular segment of slaves and descendants of slaves: those whose race is mixed to the degree it’s largely undetermined. In slavery times, these were the children produced from union by a black mother, usually not consensual, and a white slaveholder father. This is a history on racial “passing” into white society, how it was accomplished, the weight of that choice and any relevance today.

A Chosen Exile is full of examples of those who made the transition to living as white in white (usually urban) communities, those who were discovered and returned to slavery, and those who were mistaken as white but openly identified as black ⎯ and made a point of correction.  Importantly, it goes into the emotional sacrifice of turning away from a part of yourself and disconnecting from family. That’s the payment extracted in the hopes of gaining a leg up, to live with dignity, to feed a family, to do more than just survive. The choice didn’t stop with the end of slavery but continued well into the 20th century.

One story detailed the escape of slaves Ellen Craft and her husband William. William said he came up with the complex plan.

It occurred to me that, as my wife was nearly white, I might get her to disguise herself as an invalid, and assume to be my master, while I could attend as his slave, and that in this manner we might effect our escape.

But it was Ellen who made her transformation so successfully to white southern gentleman. It worked to the point that, on the way to Philadelphia, young southern women fell all over Ellen saying what a “most respectable looking gentleman.” News of their method soon trickled southward, became legend and was replicated to varying degrees.

The term “racial ambiguity” is frequently used in the book. First to identify those of mixed race, but finally pointing to a larger meaning: when “passing” is no longer even relevant.

Highly recommend this book. It goes into great depth on the meaning of race, identity, loss and the need to thrive. Even though political backlash and racial tragedies are the consistent news of this day, through the details presented in A Chosen Exile, still I witness our slow march to freedom for all people.

I found my copy at the public library. Otherwise available on Amazon and elsewhere books are sold.

 

Categories: Book Review, Global Consciousness | Tags: , , , | Leave a comment

Mama Coca and a Story of Intent

In 2009 when I heard a reporter on NPR infer that the Indigenous peoples of the Andes were addicts because they use coca, a nutrient in its natural form, I was incensed. I was compelled to speak out in my newsletter and again years later on this blog. We have too many incidents of dominant cultures misunderstanding those who are different than their own, supporting marginalization.

Coca

I met dear friends Dr. Emma Cucchi Luini, a humanitarian doctor who modeled herself after Dr. Albert Schweitzer, and Christo Deneumostier Grill, her research partner, in 2001. Finally, their legacy is receiving more recognition. The Coca Museum in the San Blas District of Cusco is the location of what was their second storefront K’uychiwasi Qosqo. The original storefront was located within the walls of Koricancha in Cusco.

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Without their dream and persistent research, alternative coca products like candies, soaps, even ice cream, would not be flourishing all over Peru now. All were derived from Emma’s and Christo’s determination and products to give coca farmers other choices than dealing with narco traffickers or the Peruvian government who paid them a pittance for their crops. They won the coveted Slow Food Award in 2002. Others took notice and started copying their products. Although, in my opinion, none of them match the quality of those from K’uychiwasi. In the process though, nutritional coca products are more available for wider consumption.

coca products

Both Emma and Christo have gone on to other things having accomplished their mission of training the Quechua staff to take over, and encouraging the product spread as they did. But the story of their beginnings should not be forgotten. It’s one of strong intent in the face of much adversity. For that reason, I documented it in my 2004 book Standing Stark. I’m sharing an excerpt here.

…The bulletin board on the wall just outside the tiny shop front had some very detailed information posted about preventing high-altitude sickness. Alongside was an article on Coca-Cola. I thought it mighty strange that a display partnered the story of the evolution of a commercial product with data on medical advice. Then I realized that the common denominator was the use of the coca leaf. The sign over the door said K’uychiwasi Qosqo, Rainbow House of Cusco. Curious, I glanced inside the small space and was invited in by the brightly colored wares…

 A diminutive woman wearing clothing that seemed to swamp her small frame and a large brimmed black hat covered with folk art pins busied herself with something behind the counter. As I walked in, she glanced up, immediately broke into a big smile, her eyes, crinkling up behind wire-rimmed glasses, greeting me. I took a leisurely turn through the shop looking at cookies, candies, teas and artwork. By then, my friend had caught up with me and came in to investigate as well.

Seeing our apparent interest, Emma Cucchi Luini introduced herself and began to tell us of K’uychiwasi Qosqo’s mission. The central purpose of this nonprofit organization was to educate about the uses of the coca leaf and its connection to the Andean culture. Actually, rather than connection, Emma emphasized that the coca leaf was the backbone of this ancient tradition, its practices and health of the native people.

Beleaguered with the discovery of a chemical extraction known as cocaine, the sacred coca leaf is now being threatened with extinction. Through tighter and tighter governmental controls and concurrent illicit operations, the simple coca farmer has been squeezed. Trying to scratch out a meager existence raising the same crops their ancestors have raised for centuries, these people are being directly affected by an encroaching Western culture in which a number of people substitute nose candy and greed for real experience.

In the last couple of decades, the national governments of Peru and Bolivia, pushed by the U.S. Drug Enforcement Agency, have targeted the coca leaf as the enemy, totally disregarding its cultural and quite innocent, but important, use by the indigenous peoples. The chewing of coca leaves is standard practice among the natives in the Andes, not to give them a high, but to increase their stamina for living and working in an environment that is often very difficult. Instead of inducing any undue alteration in their normal consciousness, which the coca leaf cannot relay at all in its natural form, its nutritional makeup provides them with energy and a plethora of nutrients not as available elsewhere in their sparse diet. Also ignored is its elevated status in the spiritual traditions and rituals of the Andean Indians. Mama Coca is the plant spirit invoked and Her leaves used in divinations, blessings and ceremonies. An analogy would be the chalice of wine symbolizing the blood of Christ in the communion ritual of many Christian religions.

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As Emma so aptly put it, “There are many, many alcoholics in the world. Do they destroy the grape?”

That question certainly does make one think, particularly relative to what other motivations, political or otherwise, could possibly exist for the shortsighted methods used for eradicating cocaine trafficking through a focus on coca crops…

…Enter Emma. With the in-country support of two Dominican friars, this Italian woman founded K’uychiwasi Qosqo in 1999. Christo Deneumostier Grill, a young Peruvian man, has since joined her in her efforts. In addition to educating about the traditional and medicinal uses, they research new ways to use the coca leaf.  In their quarters they help women, girls and young men in need by training them to produce cookies, candy and folk art using the coca leaf as an ingredient. They look forward to eventually create additional goods such as soaps…

…Emma and Christo are currently making small but painstaking steps within the bureaucracy of the Peruvian government toward wider distribution of their coca wares, the regulation of coca being tremendously tight. The only export of the leaf currently allowed is to the Coca-Cola Corporation in the United States. Ultimately, the success of Emma and Christo will benefit the Andean culture and help to maintain the growing of the coca leaf by offering products to be used by mainstream society.

As she finished her monologue, Emma shrugged and opened her hands in a characteristically Italian way and said, “I’m Italian. This cause doesn’t even belong to me.”

Reviewing our encounter in my mind later, I thought to myself, “This is a cause that belongs to the world. It belongs to us all. Emma chose to take it up.”

StandingCover72Emma’s story continued with a recounting of her remarkable life and humanitarian service that took her to dangerous, remote areas in Haiti, Sudan and Bolivia. It was deep in the jungles of Bolivia that she first met the coca farmers who befriended her and further informed her path. They educated her in the chewing of coca and told her of their difficult lives. When she became their outspoken advocate she was thrown in jail in La Paz, beaten and deported to Italy. But that didn’t stop her.

Both Emma and Christo embodied intent and humility. To me, they’re primary examples of the many unsung heroes the world over who believe in something and get it done.

For the complete story and others on the path of intent, read Standing Stark.

Categories: Global Consciousness, Indigenous Rights, Sacred Reciprocity | Tags: , , , , , | Leave a comment

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