When I left you in Part I, I was leaving Florence to venture farther into Tuscany and sequester for a ten-day intensive to study with artist Serena Barton. I landed just outside Contignano, one of those tiny hilltop villages sprinkled throughout the region, as part of the group of eight. La Montalla, which held our rooms, common area, dining room, kitchen and studio, is actually a renovated 16th century farmhouse, the kind where family and farm animals cohabited under one roof. Not so today, of course. I could just imagine what it must have been like back then, where the family lodged and the cows, pigs and what have you bedded down.
Owners Giuseppe and Paola welcomed us as though we were family, and collaborated beautifully with Lisa Statkus who put fine detail to our time in Tuscany. We lacked for nothing. Lisa and Serena put their heads together and gauged when we all needed a pause from our artwork in order to soak up the richness that is Tuscany. I’m sharing just a few photos to give at least a sense of my experience.
I can’t say enough about the cuisine and freshness of the food. Plus, I ate more pasta than I probably have in twenty years…with no ill effects whatsoever. At home I avoid it. I can only guess that my lack of symptoms is due to the wheat being GMO-free, local and organic. One day the baker came out of retirement to make (way too much) pizza from scratch in the old brick oven that is something like three hundred years old. It was extraordinary. Needless to say, leftover pizza was an option for breakfast, too.
Resident cats Ernesto and Blackie visited us in the studio, curled up in some of our rooms and were otherwise consistently on hand. That made it feel like home even more so.
I’m guessing this sampling would whet your appetite for a trip of your own. I did want to mention one particular place in case you get to Montepulciano. It’s a little hole in the wall along Via Ricci. Libreria Magnanet holds floor to ceiling treasures. Antique books and stacks of pages that are possible to purchase. I could have stayed there all day poking around, and the (surprisingly) young-ish man behind the desk would have happily accommodated it. He looked the part of the bibliophile who perhaps had been there as long as the books. As it was, I found three gems in the piles that I decided I must have. He wrote out the authentication certificate in longhand, which was only proper, noting the line drawings of Psyche, Venus and Jupiter dated to 1834. More than likely I’ll incorporate them into some artwork.
I suppose this is actually a three-part article. To read about my pilgrimage studying oil and cold wax, which includes more examples of what I created, hop on over to my art blog to read A Tuscany September. An art intensive with Serena Barton is more than learning about art…
Thus ends my Annual Pause for 2017. I came away inspired, renewed…and further convinced there’s absolutely no doubt that such time set aside like this, just for myself, is of utmost importance.