Posts Tagged With: Italy

When I left you in Part I, I was leaving Florence to venture farther into Tuscany and sequester for a ten-day intensive to study with artist Serena Barton. I landed just outside Contignano, one of those tiny hilltop villages sprinkled throughout the region, as part of the group of eight. La Montalla, which held our rooms, common area, dining room, kitchen and studio, is actually a renovated 16^th century farmhouse, the kind where family and farm animals cohabited under one roof. Not so today, of course. I could just imagine what it must have been like back then, where the family lodged and the cows, pigs and what have you bedded down.

Owners Giuseppe and Paola welcomed us as though we were family, and collaborated beautifully with Lisa Statkus who put fine detail to our time in Tuscany. We lacked for nothing. Lisa and Serena put their heads together and gauged when we all needed a pause from our artwork in order to soak up the richness that is Tuscany. I’m sharing just a few photos to give at least a sense of my experience.

Fountain of the World in Siena’s main square.

The stunning 14th century cathedral in Orvieto, Umbria Region.

Lucious figs from one of the plentiful outdoor fruit and vegetable stands.

I can’t say enough about the cuisine and freshness of the food. Plus, I ate more pasta than I probably have in twenty years…with no ill effects whatsoever. At home I avoid it. I can only guess that my lack of symptoms is due to the wheat being GMO-free, local and organic. One day the baker came out of retirement to make (way too much) pizza from scratch in the old brick oven that is something like three hundred years old. It was extraordinary. Needless to say, leftover pizza was an option for breakfast, too.

Martino making our pizza from scratch start to finish.

Resident cats Ernesto and Blackie visited us in the studio, curled up in some of our rooms and were otherwise consistently on hand. That made it feel like home even more so.

Blackie sunning himself.

Ernesto at dawn the day I left.

I’m guessing this sampling would whet your appetite for a trip of your own. I did want to mention one particular place in case you get to Montepulciano. It’s a little hole in the wall along Via Ricci. Libreria Magnanet holds floor to ceiling treasures. Antique books and stacks of pages that are possible to purchase. I could have stayed there all day poking around, and the (surprisingly) young-ish man behind the desk would have happily accommodated it. He looked the part of the bibliophile who perhaps had been there as long as the books. As it was, I found three gems in the piles that I decided I must have. He wrote out the authentication certificate in longhand, which was only proper, noting the line drawings of Psyche, Venus and Jupiter dated to 1834. More than likely I’ll incorporate them into some artwork.

Gleaned from my treasure hunt at Libreria Magnanet.

I suppose this is actually a three-part article. To read about my pilgrimage studying oil and cold wax, which includes more examples of what I created, hop on over to my art blog to read A Tuscany September. An art intensive with Serena Barton is more than learning about art…

Thus ends my Annual Pause for 2017. I came away inspired, renewed…and further convinced there’s absolutely no doubt that such time set aside like this, just for myself, is of utmost importance.

The white-haired server smiled at me in recognition after raising his eyebrows. He probably didn’t see visitors return much. But I was back at Trattoria Cribari on Piazza Santo Spirito, a little more than a hole in the wall, because I learned that not all bruschetta and gelato are created equal. Plus, it was around the corner from the airbnb place I’d rented–perfect for my needs–and they didn’t mind how long I stayed tucked just inside the open doorway watching the human world go by outside. Something of an education, a pastime I’d forgotten I enjoy.

I love the work I do, a destiny of sorts that fell into my lap over time. I find there’s reciprocal value in it. I can’t imagine I’ll ever turn away. But. And. It requires a lot of energy. Sometimes a pause is required. Rather than leaving The Pause to chance, I made a commitment that I’d set aside time–and make it special–on an annual basis. A time when I had no responsibilities to anyone but myself. A time to rejuvenate. To experience something new or revisit something beloved. To read. To walk. To write. To learn. To create. To meditate. To talk to strangers or be silent with my own musings. To do things I love. In the past I’ve taken the mini-pause, sporadically–a camping trip here, a short road trip there as I could squeeze it in. Oh, I do all those things in my daily life I listed above–but not without interruption.

In 2015 I made the first declaration by walking the Camino de Santiago, which turned out to be quite the odyssey. I’m still integrating. My Pause in 2016 was equally memorable but in a different way. I studied with master beadists Nancy Josephson and Jan Huling, who show regularly in museums and galleries in the US and Europe. I had no way of knowing when I was drawn to Puerto Vallarta for this express purpose, that I’d be catapulted into a whole new territory of artwork. One that still won’t leave me alone.

This year it’s Italy. This is my last night in Florence. I’ve wandered the streets, churches, museums and gardens for four days. I’ve appreciated the architecture, sense of history, the locals, the visitors. The bustle is sometimes a bit much for me, and being on top of my neighbors… I’m not used to it, living out in the boonies in solitude as I do much of the time. But the live piano music coming through a window as I walked down the street and the saxophone just next door have stirred something in me.

I’m taking all this with me as I travel farther into Tuscany where, over 10 days, I’ll be studying with an oil and cold wax artist. An old art form, I’ve worked with this medium for a few years and greatly appreciate its multi-layered depth and versatility. I want to go deeper.